Even though he was suffering from being exiled, he found beauty in the situation. Yet only a few lines earlier, he talks about the fame one will achieve on earth after he his death for the devoted life he lived: The death of his dear lord caused him to wander aimlessly in search for a new home. She is hopelessly wandering the forest, sobbing about the exile.
Overall, the sadness within the two poems can be seen. Both of the protagonists in the poems are experiencing loneliness from exile.
He entwines his new faith with his old; he still believes in Fame and Fate, but in a Christian way. However, their exiles are for different reasons. Accepting the Christian religion meant that their heroes in literature could no longer follow tradition by fighting off Fate to gain Fame.
Though the speaker is truly trying to act like a Christian, he cannot escape the former traditions of the Anglo-Saxon time. Even in slumber his sorrow assaileth, And, dreaming he claspeth his dear lord again, Head on knee, hand on knee, loyally laying, Pledging his liege as in days long past.
One is exiled from life with companionship, while one is separated from her beloved. The lord of a comitatus would care for his warriors; he allowed them to dine in mead halls, and if a warrior were loyal to his lord, the lord would reward his subject with treasures.
Defeat and misfortune were easier to understand in this new religion. This motif is constantly depicted through text as if to express the desire Anglo-Saxon people have for companionship in times of heartaches.
The Anglo-Saxons brought with them their Germanic philosophies of paganism to the island. In the fifth century, the inhabitants of the island of Britain hired German mercenaries to defend them against their warring neighbors, the Picts and the Scots.
Because where one went in his afterlife resulted from his actions, Christians did not believe in the pagan concept of Fate.
But gone is that gladness, and never again Shall come the loved counsel of comrade and king. As the poem continues, it seems as if the speaker is still a pagan, for he longs for the days of mead-halls and earthly riches from his lord: It can be seen in the opening lines how he clings to both religions: The usual motifs of exile and the sense of fate from it are present in the two poems.
Separation from his fellow kinsmen and lord seems to be the worst fate imaginable. Dictionary of Literary Biography, Volume The first section is a personal description of the suffering and attractions of life at sea.“The Wife’s Lament,” “The Wanderer,” and “The Seafarer” are Anglo-Saxon, or Old English, elegies.
They share the standard Anglo-Saxon poetic technique of alliteration and kennings, and use ubi sunt to indicate the mournful cultural loss of comitatus. Exile And Pain In Three Elegiac Poems Essay Words | 4 Pages.
There is a great similarity between the three elegiac poems, The Wanderer, The Wife of Lament, and The Seafarer. This similarity is the theme of exile. Exile means separation, or banishment from ones native country, region, or home. In all three poems, The Seafarer, The Wanderer, and The Wife’s Lament the main character was exiled causing great pain and sorrow.
Through this pain and sorrow they saw some beauty in the situation. The Elegiac Quality of The Wanderer and The Seafarer When interpreting the inherent relevance/meaning of the two elegy poems The Wanderer and The Seafarer it is especially important to take note of the context in which they were written.
"The Wife's Lament" bears many similarities to "The Seafarer" and "The Wanderer". Most noticeably, each of these poems consist of a solitary narrator describing exile, the sea, and the threat of hostile forces. A Literary Analysis of Three Elegiac Poems: The Wanderer, the Wife of Lament and the Seafarer PAGES 1.
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